To make a long story short, the fearsome vampire lord doesn’t even have a name. He’s just… well, the vampire lord. Someone with connections to Tomokazu Sugita probably asked if the voice actor would like to come into the studio, ham it up for a few minutes, and collect a paycheck, which is exactly what he did. With the power of her sister’s blood, Iana manages to resist being turned into a vampire, trick the vampire lord into allowing her and Sol to get close, then defeat the vampire lord once and for all with a metal stake blessed with, again, her sister’s blood.

I woke up today hoping that this week’s episode would be the season finale. Alas, we still have one more to go. Nothing better for Christmas Eve than the season finale of a middling anime. Bah, let’s get this over with. So when we last left off, Iana wanted the fix the vampire’s seal before it broke. But where’s the fun in that? You can’t mention a vampire without showing us one, so of course, Iana and her team of pretty boys — Sol and Yomi — are too late. The seal has already broken, and the entire elf village has been subjugated. Well, these look and act more like zombies than vampires.

Iana hasn’t been having a good time lately, because as you’ll recall, the duchess still died. Basically, our heroine/villainess is facing the same future no matter how hard she tries to change the story. Personally, I think the sample size here is too small to draw any definitive conclusion. But hey, my life isn’t on the line, so maybe that allows me to be a bit more rational. I just think it’s funny that Iana’s losing her marbles over the duchess of all people. “Why couldn’t the future change?! Why are we trapped in this nightmare where a serial kidnapper and probably rapist had to lose her life?!”

When we last left off, Cheneau had told Iana to run away and look for help, but she steadfastly refused. She believed that if she left, he would most certainly die at Amaryllis’s hand. So instead, right at the start of this week’s episode, our heroine/villainess strikes a pose and embraces her identity as Iana Magnolia. The animators probably intend for this scene to be comedic — and I know Iana is just bluffing — but I’m still cringing. It’s just that she doesn’t really have a plan to get out of this mess. Rather, she just thinks she could tap into her inner chuunibyo and scare Amaryllis into backing off. Well, luckily for her, the cops soon arrive thanks to ideal Konoha awakening to some of her saintly powers.