Persona 5 The Animation Ep. 3: Hatchet job

I just finished watching a pretty damn good episode, so let’s see how Persona 5 The Animation is going to bring me back down to Earth. 

— Those 3D items on Igor’s desk look embarrassing. I now wish someone else had gotten their hands on this adaptation. Considering how the game’s anime cutscenes were done by Production I.G, maybe this should’ve just gone to them instead.

— Also, why is this explanation coming from the Velvet Room inhabitants? This is what Morgana is for.

— Ryuji is drooling over the thought of Ann in a bikini, but she’s got no booty. Unfortunately, none of the girls do. JRPG devs have a lot to learn from PlatinumGames.

— Hm, what did Akechi notice when he saw Ren and Ryuji? Could he have already realized who Ren was this early into the story?

— We get to see how Morgana was stalking the guys, but I’m still salty about how last week’s episode ended. What’s supposed to happen is for them to leave the place without offering to help the cat out with Mementos (something that will be introduced later in the story). He would then get angry with them for ditching him. See, Morgana doesn’t really care about Kamoshida or the guys’ school. Unlike the friendly and lonely Teddie, the cat is initially only in this for himself, and he sees Ren as a useful pawn. I like this early characterization, because I always felt turned off by how much Teddie fawned over Yu (everyone in Persona 4 worshiped him, to be honest). He’ll eventually grows into an indispensable member of the team, but that whole dynamic has been downplayed a lot by leaving out his early minor conflict with the boys.

— Interestingly enough, Ren and Ryuji don’t split up to gather information.

— I don’t remember the boys questioning Shiho directly, but I might’ve forgotten this part.

— Oh hey, it’s Ann’s modeling rival.

— We finally get to see that all-important scene where Ren talks to Ann and understands what she’s going through. Basically, the rumors about her and Kamoshida aren’t true. Unfortunately, I think Ann’s delivery was stronger in the game. We’re also missing Ren’s attempt to cheer her up afterwards.

— Still, I’ve always liked this scene. The first time I saw it, I thought it hit the right emotional note, and it really endeared me to Ann as well. Morgana tells the boys that they can solve their Kamoshida problem by stealing his treasure, but the cat can’t assure them that Kamoshida won’t die as a result. Sure, Ren and Ryuji want to stop Kamoshida, but they don’t exactly want murder on their hands. Who would? Ren’s talk with Ann, however, pushes him one step closer to accepting the fact that even if Kamoshida does end up dying, it’d still be preferable to his continued abuse and predation. Of course, the tragic event is what seals the deal, but Ann’s breakdown is an important step towards that.

— It’s unfortunate that Ann’s importance kinda faded over time after this arc. Yukari always remained central to Persona 3’s story even if Aigis kinda came out of nowhere and started usurping her role as Makoto’s love interest. On the other hand, there wasn’t really a main girl in Persona 4 until the dreaded Marie showed up.

— Just as an aside, I really hated Marie’s stupid poems.

— This is unnecessary.

— It’s supposed to be the history teacher leading the class during Shiho’s suicide attempt, but the adaptation probably changed it to Sadayo, because it didn’t want to show us a new face without actually introducing us to him. I don’t think it would’ve hurt, but whatever.

— That fall really bruised her face

— The adaptation adds a small moment where Ren convinces Ann to go with Shiho. Hm.

— In the game, this is where Kamoshida’s true nature finally comes out in full force. In the anime, however, we’ve already been warned ahead of time that he’s evil. It takes away from the impact of the revelation.

— Mishima is sad and pathetic, but I never really minded him too much. I mean, he’s supposed to be annoying. All of the Moon arcanas are. From P3 to P5, they’re all supposed to be extremely flawed individuals with Nozomi truly taking the cake. Still, I really liked the fact that you had to turn Ai down if you truly wanted to pursue a romantic relationship with her.

— It’s a good thing I didn’t mind Mishima either, since his social link rewards you with bonus exp after battle. I couldn’t help but cringe at the fact that a lot of streamers could’ve shorten the amount of grinding that they needed to do if they had just befriended Mishima.

— Hm, we completely skip the part where Ann gets sucked into the other world and freaks out at the sight of Ren and Ryuji in costume. It’s one of the story’s many humorous moments.

If it looks like a duck, walks like a duck, and quacks like a duck…

— Wait, what? Already?! We still haven’t unlocked Ann’s Phantom Thief form!

— All of a sudden, a siren goes off, so we’ll get to Ann real soon. Still, why would a castle have a siren?


…no comment. Actually, no, I’ll say this: it’s just funny at this point. It’s hilarious.

— Still, I always thought it was badass for her to grab the sword and cut up the fake Ann. Instead of being ashamed of her sexual appeal, she’s taking control of it. This, however, looks like bad female anatomy in action.

— The adaptation downplays a major aspect of Kamoshida’s evil, though. When the guys enter this room, they’re supposed to see a bunch of girls writhing around in sexual pleasure. Basically, that’s how he sees the female students. Maybe the anime just doesn’t want to deal with it, but this part is cut out completely. Also, the adaptation seems to lean heavily towards the idea that all he did was beat Shiho up.

— I like Ann’s design, but those pink gloves are tragic.

— I’m amused how Pixie keeps showing up in these fights. She should’ve been recruited by now.


— C’mon, why would you leave out the characters’ unique backgrounds? For instance, check Ann’s out:

They show off so much personality! Ann’s background still makes an appearance on her phone, but still…

— I wish my cat was smart enough to sit still in a bag.

— Oh, they’re finally going to have the main character use a gun? Took them long enough.

— At least they didn’t leave out Ryuji’s amateurish art on the calling card. In any case, it looks like we’ll finish up Kamoshida in just four episodes. I guess that makes sense considering how many palaces that we still have, but the story is so abridged. Our hero still hasn’t visited Tae. He also hasn’t been to the weapons shop either. It has one of the best tracks in the entire game! Needless to say, I’m really disappointed by this adaptation. I’m going to stick it out simply because it’s Persona 5, but yeah…

5 thoughts on “Persona 5 The Animation Ep. 3: Hatchet job

  1. sonicsenryaku

    That Ann background card from the game exemplifies everything about why her character design is so stellar. On another note, the animation quality and narrative decisions is sort of souring this adaptation for me. I’m not asking for much; I’m not asking for a 1 to 1 adaptation. Just keep the things that are great about the game and this story of teens fighting against “THE MAN!!” in tact. And the anime needs to figure out whether Ann has a booty or not. That shot of her deformed cheeks implies more junk in the trunk than there actually seems to be

  2. ndqanhvn

    The exception for the Moon arcana is probably Shinjiro in P3P. It is quite melodramatic, but I think it’s generally well written. It depicted pretty well Shinjiro’s attraction to the female main char, yet being haunted by his past, he could not allow himself to open up to her. It also showed Shinjiro’s love and care for Akihiko, to the point he kinda paired the female main char and Akihiko together, wishing there would be someone to take care of his friend when he’s gone…Yeah it’s pretty much Korean drama, but it managed to make me care for Shinjiro, who just kinda appeared and then gone suddenly in the original game…

    Btw, I also totally hate Marie’s poem. Actually I hate everything about Marie: her tsundere character, her stupid design, her voice acting, her social link. And I have always wanted a true Izanami route…You know, the world-weary, cold and distant Izanami at the end of the game (and grey hair- I love grey hair). It would be very easy to let the main char doing some part time job at the gas station, and get to know the mysterious station attendant…It would have helped to flesh out Izanami a bit, and would have been interested to see how a god views the world through her direct interaction with the main char…And yet they make an anime tsundere girl, which is probably the most annoying character in the game. (Yes, I found her far more annoying than Teddie)

    1. Sean Post author

      I would love to see Persona 3 remade with Persona 5’s engine, but knowing Atlus, they’d probably leave out the FeMC’s route. If they can’t even be bothered to include her in the upcoming dancing nonsense, she wouldn’t have a chance with any sort of hypothetical remake. I’ve heard a lot of praise for the FeMC, but I just can’t bring myself to replay the game on the pared down PSP version.

      And yeah, Marie is the worst. Her poems were cringeworthy, and she even had the worst dungeon with the worst gimmick. I totally didn’t want to bother with the girl, but you needed to save her for the true end or whatever. Y’know, that cutscene with everyone slightly grown up and everything.

      1. ndqanhvn

        Haha, when I played P5 I also wished P4 and P3 got remade like that…Imagine the Palace, with real dungeon design and puzzle to bettler reflecting the “heart” of the character.

        I remember the boss fight when Marie shouting at the team to kill her, it’s really a depressing situation on paper, but at that point I’m so sick of her I basically shout back: “Oh yes I would totally kill you if the game let me to.”


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